Publications: Anthologies, Juried Journals and proceedings |
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2006 |
“Systems Aesthetics and Cyborg Art: the legacy of Jack Burnham” in Slovenia, in V toku pohyblivych obrasov (The flow of moving images, an anthology of Electronic and Digital Art in the context of Visual Culture), Ed, Kararina Rusankova, Bratislava. |
2004 |
Adequate pedagogy: the missing piece in Digital Culture, in: A Guide to Good Practice in Collaborative Working Methods and New Media Tools Creation (by and for artists and the cultural sector) eds. Lizbeth Goodman and Katherine Milton (fall, 2003) AHDS (Arts and Humanities Data Service) |
2003 |
Representation, Enaction and the Ethics of Simulation. in First Person, MIT, eds Pat Harrigan and Noah Wardrip-Fruin |
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Ethics of Simulation (in Portugese) Ligações/Links/Liaisons anthology |
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Prefiguring Cyberculture, an intellectual history. (chapter: Traces) Tofts, Jonson, Cavallaro, editors. MIT |
2001 |
Traces: Embodied Immersive interaction with Semi-Autonomous Avatars. Convergence, Luton UK |
1999 |
Traces: Wireless full body tracking in the CAVE. ICAT 9th International Conference on Artificial Reality and Tele-Existence Conference Proceedings(Tokyo: Virtual Reality Society, 1999) |
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Agents as artworks and agent design as artistic practice” in "Human Cognition and Social Agent Technology" Ed: Kerstin Dautenhahn, John Benjamins Publishing Company. |
1997 |
The Virtualisation of Artistic Practice: Body Knowledge and the Engineering World View. CAA Art Journal Fall97 Special Issue on Electronic Art, Ed: Johanna Drucker |
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“Embodied Cultural Agents...” Socially Intelligent Agents. AAAI Press 1997 |
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The Darwin Machine: Artificial Life and Interactive Art, New Formations UK,#29 “Technoscience” |
1996 |
Memesis: The Future of Evolution, Ars Electronica / Springer 96 |
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The Colonisation of Cyberspace. Media Art Perspectives, Editions ZKM, Cantz Verlag, Germany. Bilingual, Eng/German |
1995 |
Living Machines, in Scientific American, USA 150th anniversary issue. sept 95 |
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Twenty Centuries of Virtual Reality (in Finnish) in Virtuaalisuuen Arkeologia, Ed: E. Huhtamo. Pub Lapin Yliopisto |
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Paradigms in collision, a tentative taxonomy of interactive art in Schöne Neue Welten, Ed F Rötzer, pub Boer Germany |
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Consumer Culture and the Technological Imperative: The Artist in Dataspace. in Critical Issues in Electronic Media Ed SPenny, Pub SUNY Press |
1994 |
Virtual Reality as the End of the Enlightenment Project.. in Culture on the Brink: Ideologies of Technology anthology. Eds Bender and Druckrey. Dia Foundation / Bay Press . -Also published in Virtual Reality Casebook, Eds Anderson, Loeffler. Van Nostrand. |
1992 |
Virtual Bodybuilding ( in Finnish) in Virtual Zone anthology, Eds Makela, Vaisanen |
1991 |
Training computer artists for the 21st century. Computer Graphics V25#3 ACM SIGGRAPH |
Publications: Journals and Catalogs |
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2001 |
Traces: Embodied Immersive Interaction with Semi Autonomous Avatars (Penny, Smith,Sengers, Bernhardt Schulte) Convergence: the journal of research into New Media Technologies, University of Luton press, Summer 2001. |
2000 |
Modern Machine Art. Artlink 20th Anniversary edition. V20#3 |
1999 |
“Systems Aesthetics and Cyborg Art: the legacy of Jack Burnham” Sculpture Magazine, Jan99 |
1998 |
Jeffrey Shaw, A Users manual (review, with MFernandez) Sculpture Magazine, Nov98 |
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Full length version of “Shaw...” published in Leonardo Electronic Almanac July98 |
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Moores Law, Systems Theory and the Aesthetics of Interactive Art. Astrolabe online journal + CD |
1997 |
Johdatus Uuteen Mediaan. Eds Tarkka, Hintikka And Mäkelä, Helsinki |
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TechnoUtopian Rhetorics and the Ossification of Interfaces, ArtLink V16#2+3 Australia |
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Twenty Centuries of Virtual Reality (in polish) Magasyn Sztuki #9 (1/96) Gdansk Poland |
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From A to D and back again: the emerging aesthetics of interactive art. Catalog essay, Next Wave Festival/Perception and Perspective, National Gallery of Victoria, Australia. |
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Petit Mal and the Aesthetics of Autonomous Art. Telepolis Web Journal |
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Body Knowledge... AdaWeb/MOMA Videoviewpoints website |
1995 |
Twenty Centuries of Virtual Reality (in Japanese), Intercommunications, Japan. |
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Body Knowledge, Digital Prostheses and Cognitive Diversity (in German) Kunstforum, Germany |
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Electronic Arts practice: experiences in Australia and the USA. in Continuum V8#1, 1994 |
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Embodied Mind. Leonardo Electronic Reviews |
1993 |
Utopian Recipes, Distopian dining: Eating Bad Donuts in dataspace in On the Air, Transit Austria |
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Virtual Bodybuilding Media Information Australia 1993 |
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Disentangling Utopian Dreams Catalog essay for The computer is not sorry The Space, Boston |
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2000 years of Virtual Reality (catalog essay) for Through the looking glass. Jack Tilton Gallery NY |
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Fred Truck: ArtEngine II (review/essay) in Art Papers v16#2 march-april 92. |
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Smart Bombs, Foolish Strategies (review/essay) Afterimage, april V19#9 |
1991 |
Computer Art: critical issues in pedagogy. in Artlink (Australia) Sept 1991 |
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Machine Culture SISEA 1990 proceedings Groningen, Netherlands |
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The Intelligent Machine as Anti-Christ in SISEA 1990 proceedings Groningen, Netherlands |
1990 |
Fred Truck's ArtEngine, a case study in the problematics of software art Mediamatic Holland V5#3 |
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Guest Editor Artcom Online Art Journal. May and June. |
1989 |
Art practice in the age of the thinking machine. Performance 56/7.UK. |
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Charlie Chaplin, Stelarc and the future of humanity. Artlink S.A. V9#1 1989 |
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Meta combat, an analysis of Randellis War Story Praxis M magazine, #22 1989 Perth. |
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New Territory: art practice in the digital environment. Artlink, March |
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Video Installations by Bill Viola. Artlink, March. |
1987 |
Simulation Digitization, Interaction: The impact of computing on the arts. Artlink Art+ Tech special issue. |
1986 |
"Performance Art, What the..." Performance Magazine, London. |
1985 |
"Pittura Culta; Current Italian Neoclassicism" Art Network, Sydney, N.S.W |
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"Video Art", radio documentary "Surface Tension" ABC National. |
1984 |
Critique-New York, The Terminal" Art Network. |
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"Death of the New" (Venice Biennale 1984) Artlink S.A. |
1983 |
"Terminal New York" Artviews Magazine, Toronto,Canada. |
1980 |
"La Trobe, an overview" Artlink. |